The lights go down and the projector whirs into action as Sher Mohammad,
35, begins his routine, bouncing back and forth between two projectors,
winding reels, and adjusting the carbon arc lamps inside the
projectors. Below him in the gallery of the Temorshahee Cinema, men sit
in their shalwar kameez (the loose-fitting pants and knee-length shirts
that are common in Central Asia), sipping mango juice, smoking
cigarettes, clapping and sometimes even dancing together on the theater
stage as Pakistani women sing and gyrate across the screen. Read Full
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